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<channel>
	<title>Juan Francisco Rodriguez</title>
	<link>https://juan-francisco-rodriguez.com</link>
	<description>Juan Francisco Rodriguez</description>
	<pubDate>Fri, 13 Feb 2026 17:47:08 +0000</pubDate>
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		<title>Collaborations</title>
				
		<link>https://juan-francisco-rodriguez.com/Collaborations</link>

		<pubDate>Tue, 16 Sep 2025 08:42:00 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

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		<description>
	Camera / Cinematography &#38;nbsp;︎︎︎Mubi Profile ︎︎︎Nido de Cocodrilo (2024)Experimental Documentary Short FilmDir. Jazmin Rojas ForeroRole: Cinematography (16mm)



︎︎︎Nido de Cocodrilo (2024)Experimental Documentary Short Film
Dir. Jazmin Rojas Forero
Role: Cinematography (16mm)
&#60;img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/0298396d05daad9a8c5b0e5eaec782ad8a2867f1d5f8bf41df2a932e8717471f/demo_still.jpg" data-mid="238284783" border="0" alt="&#38;copy;Dora Cohnen" data-caption="©Dora Cohnen" src="https://freight.cargo.site/w/1000/i/0298396d05daad9a8c5b0e5eaec782ad8a2867f1d5f8bf41df2a932e8717471f/demo_still.jpg" /&#62;︎︎︎Demo (2023)Experimental Documentary Shortfilm
Dir. Dora Cohnen
Role: Cinematography (16mm)
Light Design - Gaffer


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/14af1c923e569084afd69ffaa38b3ea24573b50612736b1c4d5f665514ff730f/IMG_6980-min.jpeg" data-mid="238285417" border="0"  src="https://freight.cargo.site/w/1000/i/14af1c923e569084afd69ffaa38b3ea24573b50612736b1c4d5f665514ff730f/IMG_6980-min.jpeg" /&#62;
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&#60;img width="1782" height="1170" width_o="1782" height_o="1170" data-src="https://freight.cargo.site/t/original/i/875a00e6dad11a6803d96be6f3fe3ce96a1c49863379ab941f671709fe16a778/Anemoia_Monitor_Preview.jpg" data-mid="238285415" border="0"  src="https://freight.cargo.site/w/1000/i/875a00e6dad11a6803d96be6f3fe3ce96a1c49863379ab941f671709fe16a778/Anemoia_Monitor_Preview.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ab9677280dc5f95d506797c3d9769c1b340dd3321b0bf662a3a4a86fd188d2cc/IMG_7005-min.jpeg" data-mid="238285419" border="0"  src="https://freight.cargo.site/w/1000/i/ab9677280dc5f95d506797c3d9769c1b340dd3321b0bf662a3a4a86fd188d2cc/IMG_7005-min.jpeg" /&#62;

Anemoia (2025)Fiction Shortfilm
Dir. Ana Gutiérrez&#38;nbsp;
DoP: Lisa Bühl
Role: Gaffer (Oberbeleuchter)


︎︎︎What When Were are We (2024)Dance/Theater Performance&#38;nbsp;Dir. Maria Mercedes FloresRole: Light Design + Live performance.


&#60;img width="1280" height="734" width_o="1280" height_o="734" data-src="https://freight.cargo.site/t/original/i/7d4416c24cd1638f26eea3548f8224ff45a2c19552a6468cc84c7d75f12ad80e/Vadoze-Zone.jpg" data-mid="238285128" border="0"  src="https://freight.cargo.site/w/1000/i/7d4416c24cd1638f26eea3548f8224ff45a2c19552a6468cc84c7d75f12ad80e/Vadoze-Zone.jpg" /&#62;
&#60;img width="1280" height="714" width_o="1280" height_o="714" data-src="https://freight.cargo.site/t/original/i/0fbb2b3c166efd69e9819dc3ae6e931b406f1c49ad0d993f39f30ac6ea1319ed/Vadoze-Zone_2.jpg" data-mid="238285127" border="0"  src="https://freight.cargo.site/w/1000/i/0fbb2b3c166efd69e9819dc3ae6e931b406f1c49ad0d993f39f30ac6ea1319ed/Vadoze-Zone_2.jpg" /&#62;


︎︎︎Vadoze Zone (2025)&#38;nbsp;Light/Sound Performance 
as part of Acht Brücken Musik für Köln FestivalDir. Farah Wind + Helin Sezen KorkmazRole: Light Design + Live Performance.

3D/VFX/Visual/Live&#38;nbsp;




︎︎︎Del Ascenso a la Tierra OscuraVideoart for Fulldomew. Colectivo Ser Otro&#38;nbsp;Role: Concept, production, technical planning, photogrammetry, 3D animation and digital composition.

&#60;img width="3348" height="1878" width_o="3348" height_o="1878" data-src="https://freight.cargo.site/t/original/i/a0d1fe8926ee0c80a048aba95b6192bede32a040c4ab183283ef32bc261a48eb/Tokalfuego_Sample-Image.jpeg" data-mid="238285886" border="0"  src="https://freight.cargo.site/w/1000/i/a0d1fe8926ee0c80a048aba95b6192bede32a040c4ab183283ef32bc261a48eb/Tokalfuego_Sample-Image.jpeg" /&#62;
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&#60;img width="3342" height="1874" width_o="3342" height_o="1874" data-src="https://freight.cargo.site/t/original/i/2725d351e2c5dccb0340fb5850b5f23ab5eab8215e228201422a358be93deecd/Tokalfuego_Sample_2.jpeg" data-mid="238286181" border="0"  src="https://freight.cargo.site/w/1000/i/2725d351e2c5dccb0340fb5850b5f23ab5eab8215e228201422a358be93deecd/Tokalfuego_Sample_2.jpeg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e791325dec667e3a65e8733f7348a127fa26025f25ef9c32cd02c36d03c85002/VJ-Tokalfuego-Sebas-Juan.jpg" data-mid="240166746" border="0"  src="https://freight.cargo.site/w/1000/i/e791325dec667e3a65e8733f7348a127fa26025f25ef9c32cd02c36d03c85002/VJ-Tokalfuego-Sebas-Juan.jpg" /&#62;


︎︎︎TOKALFUEGO (2025)
VJ Collective&#38;nbsp;
w. Sebastian Jaimes
Role: Concept, research, compositing, editing, live performance.
Graphic Design&#38;nbsp;


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&#60;img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/b6aa39c8101f7533cbdf6a342f7f51cfe1e3684931f6c3fc113b85f40566f7e2/Poster-WEB.jpeg" data-mid="240171119" border="0"  src="https://freight.cargo.site/w/1000/i/b6aa39c8101f7533cbdf6a342f7f51cfe1e3684931f6c3fc113b85f40566f7e2/Poster-WEB.jpeg" /&#62;
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Ghosts at the Feast&#38;nbsp;Art Exhibition at Weltkunstzimmer, Düsseldorf.
Role: Poster/Postcard design&#38;nbsp;+ Exhibiting Artist  



	
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	<item>
		<title>Home</title>
				
		<link>https://juan-francisco-rodriguez.com/Home</link>

		<pubDate>Sun, 05 Mar 2023 18:02:43 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Home</guid>

		<description></description>
		
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	<item>
		<title>About</title>
				
		<link>https://juan-francisco-rodriguez.com/About</link>

		<pubDate>Sun, 12 Mar 2023 19:38:37 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/About</guid>

		<description>
	
	Juan Francisco Rodriguez is a Colombian artist and filmmaker living in Cologne, Germany. He studied film at the National University of Colombia and holds a master's degree in media arts from the Academy of Media Arts Cologne (KHM). His work explores a heterogeneous notion of magic and ecology through images and narratives that playfully navigate the edges of documentary film, photography, and light art. 
His projects have been presented at film festivals and art exhibitions such as the Festival du Nouveau Cinéma de Montréal, 25 FPS Int.Experimental Film and Video Festival (Zagreb), and the National Artists' Salon (Colombia), among others.&#38;nbsp;
Alongside his personal projects, he has been part of artistic collectives and has worked as creative technologist, director of photography, light designer, editor, VFX artist, research and programming assistant for documentary and experimental film events.
 
︎
Juan Francisco Rodríguez es un artista y cineasta colombiano que vive en Colonia, Alemania. Estudió cine en la Universidad Nacional de Colombia y tiene un máster en artes mediales por la Academia de Artes y Medios de Colonia (KHM). Su obra explora una noción heterogénea de la magia y la ecología a través de imágenes y narrativas que juegan en los bordes del cine documental, la fotografía y el arte lumínico. Sus proyectos se han exhibido en festivales y muestras de arte como el&#38;nbsp;Festival du Nouveau Cinéma de Montréal, Dobra International Experimental Film Festival (Rio de Janeiro), y el Salón Nacional de Artistas (Colombia), entre otros.
Paralelamente a sus proyectos personales, ha formado parte de colectivos artísticos y ha trabajado como diseñador de iluminación, montajista, y asistente de investigación y programación en eventos de cine documental y experimental.

Screenings (S) Exhibitions (E) Awards (A)2025

International Film Festival of Cartagena de Indias FICCI (S)

Best Iberoamerican Shortfilm (Oscar’s quilifier). FICCI (A)
Sustainability Recognition. FICCI (A)
25FPS International Experimental Film and Video Festival Zagreb 
FICValdivia (S)
Bogoshorts (S)
Laberinto Film Fest. Colombia (S)
Cinetoro Experimental Film Festival (S)
Kasseler DokFest (S)

Kuszfilm Festival Köln KFFK (S)

2024Brixen Water Light Festival (E)&#38;nbsp;

Best Cinematography -“Nido de Cocodrilo" (Bogoshorts) (A)

2023

Weltkunstzimmer - “Ghosts at the feast (E)&#38;nbsp;
Atelierhaus Alterburgerwall Köln - “On Pliny’s Paths” (E)
Interference Light Art Project Tunis (E)Rundgang 2023, KHM (E)International Photozene Köln - “Double Presence” (E)
Folkwang Universität der Künste - “Grinding present glitches” (E) 
Kortfilm.be (S)
 2022Case Projektraum der Fotografie - “Swamp Optical Trance” Germany (Solo Exhibition)
46 National Artists Salon. Colombia (E)/(S)8 Dobra International Experimental Film Festival. Brazil (S) 
15 Cinetoro Experimental film festival. Colombia (S)21 International Image Festival. Colombia. (S)9 Corriente Encuentro Latinoamericano de cine de no ficción. Perú (S)20 Bogoshorts – Bogotá Shortfilm Festival. Colombia (S)Rundgang „Außer der Reihe“ KHM. Trinitatiskirche, Cologne. Germany (E)2021Prize for Artistic Work in the field Art/Nature. National Stimulus Program. Colombia (A)&#38;nbsp;
4 Festival Domo lleno, Fulldome Festival Bogotá. Colombia (S)20 International Image Festival. Colombia (S)23 MIDBO Bogota International Documentary Film Festival. Colombia (S)
 23 Equinoxio Film and Audiovisual Festival. Colombia. (S)Laberinto Independent Film Festival. Colombia. (S)

202018 Bogoshorts- Bogotá Shortfilm Festival. Colombia (S) Festival du nouveau Cinema de Montreal, Canada. (S)






	
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	<item>
		<title>Works</title>
				
		<link>https://juan-francisco-rodriguez.com/Works-1</link>

		<pubDate>Sun, 05 Mar 2023 18:02:44 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Works-1</guid>

		<description>
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/9570abef2e3ffb1c3ec2aa0953917b2efdecf06b1394572b072d520d0ddb4348/PDVL_Still_3-Large.jpeg" data-mid="218298410" border="0"  src="https://freight.cargo.site/w/1000/i/9570abef2e3ffb1c3ec2aa0953917b2efdecf06b1394572b072d520d0ddb4348/PDVL_Still_3-Large.jpeg" /&#62;Parientes del Valle Luminoso
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/67bc47c46766543b5d5af26de1fc97a94c2f5a265535f216be6289020efaeb7a/Borde-de-Nieve_Juan-F-Rodriguez_Still3.jpeg" data-mid="205292041" border="0"  src="https://freight.cargo.site/w/1000/i/67bc47c46766543b5d5af26de1fc97a94c2f5a265535f216be6289020efaeb7a/Borde-de-Nieve_Juan-F-Rodriguez_Still3.jpeg" /&#62;Borde de Nieve
&#60;img width="2421" height="1614" width_o="2421" height_o="1614" data-src="https://freight.cargo.site/t/original/i/cfb02b7bb8ae9ebb1880a866932bd9bbc85e9ad863a2965419ffb2a8f96f120f/8-Swamp-Optical-Trance_Dew-Portal-min.jpg" data-mid="205292056" border="0"  src="https://freight.cargo.site/w/1000/i/cfb02b7bb8ae9ebb1880a866932bd9bbc85e9ad863a2965419ffb2a8f96f120f/8-Swamp-Optical-Trance_Dew-Portal-min.jpg" /&#62;Dew Portal
&#60;img width="3190" height="2393" width_o="3190" height_o="2393" data-src="https://freight.cargo.site/t/original/i/09e1ca08e10cdf47c0ecf079137cb2040f43688a0ff58a4c7ec0d8f980cdb3e0/4-3-earth-beamer-I_Exhibition-View-1-min.jpg" data-mid="179367384" border="0"  src="https://freight.cargo.site/w/1000/i/09e1ca08e10cdf47c0ecf079137cb2040f43688a0ff58a4c7ec0d8f980cdb3e0/4-3-earth-beamer-I_Exhibition-View-1-min.jpg" /&#62;Earth Beamer I
&#60;img width="5142" height="3433" width_o="5142" height_o="3433" data-src="https://freight.cargo.site/t/original/i/3e360925bcf2cbb26329c27414deea9751837916ec3243e8cb69dda5ee98fdc7/Medium-Voice-Resonance_Documentation_4.jpeg" data-mid="244800317" border="0"  src="https://freight.cargo.site/w/1000/i/3e360925bcf2cbb26329c27414deea9751837916ec3243e8cb69dda5ee98fdc7/Medium-Voice-Resonance_Documentation_4.jpeg" /&#62;Medium Voice Resonance&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/edafe7c079999519434295b4557b319b4ba46673bb3bf9126fe97ee91a110dae/1_Swamp-Optical-Trance_Exhibition-View-min.jpg" data-mid="205292055" border="0"  src="https://freight.cargo.site/w/1000/i/edafe7c079999519434295b4557b319b4ba46673bb3bf9126fe97ee91a110dae/1_Swamp-Optical-Trance_Exhibition-View-min.jpg" /&#62;Earth Beamer II&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/b1f8cedac2fdcebd7f3dafcf9335f408efc07f82603ee3abf51eda11d09e677f/Umbral-still-web_5.jpeg" data-mid="205292043" border="0"  src="https://freight.cargo.site/w/1000/i/b1f8cedac2fdcebd7f3dafcf9335f408efc07f82603ee3abf51eda11d09e677f/Umbral-still-web_5.jpeg" /&#62;
Umbral
&#60;img width="7087" height="4781" width_o="7087" height_o="4781" data-src="https://freight.cargo.site/t/original/i/487bfb283a2cce01b9c07f75973b3303b424fa25c245b52c10a99213f7d91a66/A-movie-about-a-ghost_-Thumbnail-min.jpeg" data-mid="205292054" border="0"  src="https://freight.cargo.site/w/1000/i/487bfb283a2cce01b9c07f75973b3303b424fa25c245b52c10a99213f7d91a66/A-movie-about-a-ghost_-Thumbnail-min.jpeg" /&#62;A movie about a ghost (in loop)</description>
		
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	<item>
		<title>Parientes del Valle Luminoso</title>
				
		<link>https://juan-francisco-rodriguez.com/Parientes-del-Valle-Luminoso</link>

		<pubDate>Fri, 23 Feb 2024 14:49:51 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Parientes-del-Valle-Luminoso</guid>

		<description>
	
Parientes del Valle Luminoso




	







Relatives of the Luminous Valley
12 mins &#124; 2025 &#124; 16mm to Digital &#124; 5.1 &#124; Spanish &#124; English Subtitles &#124; DCP
In a climate of grief, a child's play, the gardeners' rest, and the company of luminous mountain beings conjure a strange air of supernatural tenderness. Different cosmic and spiritual forces reveal a web of caring relationships between the living and the dead.






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With the support of / Con el apoyo de Kunsthochschule für Medien Köln
with / conJuan José Velazquez, Maria Claudia Franco, Felipe Velazquez, Santiago Parra, Mitchel Nicolás Zuluaga, Viviana Cuéllar, Edward Pinzón, Gina Paola Lopez

Image, edit, sound design / Imagen, Edición, Sonido
Juan Francisco Rodríguez

Sound, Production Assistant / Sonido, Asistente de producción Santiago Parra

Sound Mix / Mezcla de Sonido
Ralf Shipke

Color Grading / ColorizaciónLynn Al Abiad

VFX
Juan Francisco Rodriguez

16mm Processing and Scan / Revelado y Escaneo 16mm Haghefilm Digitaal

Mentors / TutoresDaniel BurkhardtPhilip Scheffner

Festival Strategy / Estrategia de Festivales
Experimenta - Carlos Velandia

Poster Design / Diseño de Poster&#38;nbsp;Camilo García A.“3 Part Bismillah Zikr”Registrado durante el campamento Sufi en la ecoaldea Atlántida, Cauca, Colombia.2023 Courtesy of / Cortesía de Pir Shabda Khan&#38;nbsp;Special Thanks / Gracias Especiales
Juan José Velásquez
Jazmín Rojas Forero
Santiago Parra
Sebastian Jaimes
Maria Claudia Franco
Viviana Cuéllar
Edward Pinzón
Ecoaldea Mi Tribu
Natalia Moreno
Ivonne Sheen
Lynn Al Abiad
Carlos Velandia
Daniel Burkhardt
Phillip Scheffner
Hyemin Jung
Shabda Khan© 2025 Juan Francisco Rodriguez / KHM
ScreeningsFestival Internacional de Cine de Cartagena de Indias (FICCI). 2025
25FPS International Experimental Film and Video Festival. 2025
FICValdivia. 2025
Bogoshorts 2025
Laberinto Fest. 2025
Cinetoro Experimental Film Festival. 2025Kasseler Dokfest 2025
Kurzfilmfestival Köln 2025
Awards
Best Iberoamerican Shortfilm (Oscar’s quilifier shortfilm). FICCI 2025Sustainability Recognition. FICCI 2025
“A distinction for films that explore new forms of relationships between species, matter and environmental preservation.”

Director statementIn this film, I was interested in exploring an emotional space of wonder and re-enchantment. Mixing a filming exercise with our own syncretic ritual, we played with my family in a valley near La Vega, Cundinamarca, Colombia, the place where shortly before we had planted my father's ashes.

&#60;img width="1755" height="2475" width_o="1755" height_o="2475" data-src="https://freight.cargo.site/t/original/i/e85685f66c45b8bd7ab93a8375de4de28966b0c570ae4179b406fb0c47365f1d/Parientes_del_valle_luminoso-2025.jpg" data-mid="238195501" border="0"  src="https://freight.cargo.site/w/1000/i/e85685f66c45b8bd7ab93a8375de4de28966b0c570ae4179b406fb0c47365f1d/Parientes_del_valle_luminoso-2025.jpg" /&#62;
Sinopsis
En un clima de duelo, el juego de un niño, el descanso de los jardineros y la compañía de seres luminosos de la montaña conjuran un extraño aire de ternura sobrenatural. Diferentes fuerzas cósmicas y espirituales revelan una red de cuidado entre vivos y muertos.

Nota del director
En esta película, me interesaba explorar un espacio emocional de asombro y re-encantamiento. Mezclando el ejercicio de rodaje con nuestro ritual sincrético propio, jugamos junto a mi familia en un valle cerca de La Vega, Cundinamarca, Colombia, sitio donde poco antes sembramos las cenizas de mi padre.
Reseñas&#38;nbsp;

“El amor balbuciente, el que tartamudea, suele ser el amor que más ama”. Esto lo escribió Gabriela Mistral refiriéndose a los niños y su capacidad de asombro. En Parientes del valle luminoso, Juan Francisco Rodríguez nos presenta una película que va develando sus capas, como si se tratara de una montaña que, entre la niebla que se disipa, nos permite entender sus formas.

O como un niño que está aprendiendo a hablar y con asombro descubre que algunas letras juntas forman una palabra. Y con certeza reafirma que todas las formas de la vida tienen un parentesco mágico: los juegos de manos, las apariciones espectrales en el monte, los animales y las plantas y las canchas de fútbol y Spiderman.

Esta película nos extiende su familiaridad para hacernos parientes de esa tierna relación de amor que hay entre los vivos, los muertos y su umbral.&#38;nbsp;
Valentina Giraldo Sánchez - FICCI 64https://agenda.ficcifestival.com/proyecciones/parientes-del-valle-luminoso
︎&#38;nbsp;

“Rodada en el formato analógico de 16 mm, esta pequeña joya no se contenta con narrar una historia; en su lugar, se convierte en un santuario vivo de memoria, un tributo catártico a un ser querido ausente que trasciende el duelo personal para tocar las fibras universales del alma humana. El cortometraje dialoga con conceptos profundos de vestigio y evocación, construyendo experiencias sensoriales que vibran con la esencia del pasado en cada partícula de luz y polvo, recordándonos que el cine, en su forma más pura, es un ritual de sanación colectiva.”
Héctor Serrano -&#38;nbsp;El Cinefilo Latino.

Reseña completa︎︎︎
https://elcinefilolatino.blogspot.com/2025/08/resena-relatives-of-luminous-valley.html
︎“El montaje nos mueve, a través de parpadeos, entre temporalidades y juegos formales que se tejen unos a otros. Una vez el duelo y el juego, la metamorfosis, le permite a la ausencia posarse como rocío sobre las plantas y telarañas, o como fragmento de luz que encandece la vista en el soporte fílmico.”
Jhonny Carvajal Orozco -&#38;nbsp;Los Experimentos CineReseña completa︎︎︎
https://www.losexperimentoscine.blog/2025/04/parientes-del-valle-luminoso-y-cuando.html



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		<title>Earth Beamer I</title>
				
		<link>https://juan-francisco-rodriguez.com/Earth-Beamer-I</link>

		<pubDate>Sat, 20 May 2023 16:16:41 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Earth-Beamer-I</guid>

		<description>
	

Earth Beamer I




Cinematic object-installation. Rose quarz, light, lenses, metal optical bench, motor, screen. 
Loop &#124; Silent.2022

	The project “Earth Beamer” stems from investigating the potential emergence of more-than-human cinemas. A light is conducted through the interior of a rose quartz. Thanks to a chain of optics, the light is focused on the crystal and projected as an image. Its functioning is analogous to cinema projectors, however, instead of film, the light projects the interior of a moving mineral, whose solid and subterranean condition is elevated to a an aerial instance. The projector could be considered a cinematographic apparatus and the projected image would be a looped silent film; a film that intensifies the notion of “cosmos as cinema”.
&#60;img width="5733" height="2922" width_o="5733" height_o="2922" data-src="https://freight.cargo.site/t/original/i/dfd790fe06398eff9b9fb64ffe54e297e0ab208e35f867b8aa577d84891feab8/diagram_earth-beamer-I-10.5x.png" data-mid="187773930" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/dfd790fe06398eff9b9fb64ffe54e297e0ab208e35f867b8aa577d84891feab8/diagram_earth-beamer-I-10.5x.png" /&#62;


El proyecto Earth Beamer nace de indagar la potencial emergencia de cines más-que-humanos. Un mecanismo que hace evidente lo cinematográfico del cosmos. 
La luz es conducida a al interior de un cristal de cuarzo. Gracias a la alineacion de las opticas, las estructuras internas del cristal son proyectadas como imagen. El funcionamiento de este aparato es análogo a los proyectores de cine, sin embargo, en lugar del celuloide, la luz proyecta el movimiento de un mineral, cuya condición sólida y subterránea se eleva a una instancia aérea. El proyector podría considerarse un aparato cinematográfico y la imagen proyectada vendría a ser una película silente en bucle. Una película que intensifica la noción del “cosmos como cine”.&#38;nbsp;



&#60;img width="2936" height="1835" width_o="2936" height_o="1835" data-src="https://freight.cargo.site/t/original/i/f956efcec895df810a1e98c80c6ebe416d21abcbb1ce4cb81b47537be9c880da/earth-beamer-I_Exhibition-View-2-min.jpg" data-mid="180440953" border="0"  src="https://freight.cargo.site/w/1000/i/f956efcec895df810a1e98c80c6ebe416d21abcbb1ce4cb81b47537be9c880da/earth-beamer-I_Exhibition-View-2-min.jpg" /&#62;
&#60;img width="3190" height="1994" width_o="3190" height_o="1994" data-src="https://freight.cargo.site/t/original/i/d72eb95355103bf123007286ff3070c63989035d0a8d80feb124c86d189a32ec/earth-beamer-I_Exhibition-View-1-min.jpg" data-mid="180440951" border="0"  src="https://freight.cargo.site/w/1000/i/d72eb95355103bf123007286ff3070c63989035d0a8d80feb124c86d189a32ec/earth-beamer-I_Exhibition-View-1-min.jpg" /&#62;
&#60;img width="3117" height="1948" width_o="3117" height_o="1948" data-src="https://freight.cargo.site/t/original/i/c2bf3058a2f88fc069dcb7222d22ef65b4710902f2139225cb851607c383795d/earth-beamer-I_Exhibition-View-3-min.jpg" data-mid="180440955" border="0"  src="https://freight.cargo.site/w/1000/i/c2bf3058a2f88fc069dcb7222d22ef65b4710902f2139225cb851607c383795d/earth-beamer-I_Exhibition-View-3-min.jpg" /&#62;
&#60;img width="3192" height="1995" width_o="3192" height_o="1995" data-src="https://freight.cargo.site/t/original/i/fff645b65988d3ce8a2742a0123dd89f34293b4b96afb6b5732fbd3befda66b4/earth-beamer-I_Exhibition-View-4-min.jpg" data-mid="180440957" border="0"  src="https://freight.cargo.site/w/1000/i/fff645b65988d3ce8a2742a0123dd89f34293b4b96afb6b5732fbd3befda66b4/earth-beamer-I_Exhibition-View-4-min.jpg" /&#62;
On show at Trinitatis Kirche -”Rungang Außer der Reihe”, Cologne, 2022


ExhibitionsKHM Rungang “Außer der Reihe”, Cologne, Germany. 2022Water Matters, Interference Light Art Project. Tunis, Tunisia. 2023
On Pliny’s Path, Cologne, Germany. 2023


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	<item>
		<title>Umbral</title>
				
		<link>https://juan-francisco-rodriguez.com/Umbral</link>

		<pubDate>Tue, 23 Jan 2024 07:56:07 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Umbral</guid>

		<description>
	
Umbral






8 mins &#124; 2019 &#124; Digital &#124; Stereo &#124; Spanish and German &#124; English and Spanish Subtitles.


Someone wants to start dreaming without forgetting that they are sleeping.

What at first seems to be an internal monologue that analyzes the dream state, slowly becomes the dream itself. The apparent reality of the film is disrupted and a nightly delirium takes over leading the dreamer into a luminous lucid dream.



&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/3f5316dc08e13312fffe5ec1f910a330829ba45589aff40b25814a0cc13bcafe/Umbral-still-web_4.jpeg" data-mid="202530624" border="0"  src="https://freight.cargo.site/w/1000/i/3f5316dc08e13312fffe5ec1f910a330829ba45589aff40b25814a0cc13bcafe/Umbral-still-web_4.jpeg" /&#62;
&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/b1f8cedac2fdcebd7f3dafcf9335f408efc07f82603ee3abf51eda11d09e677f/Umbral-still-web_5.jpeg" data-mid="202530625" border="0"  src="https://freight.cargo.site/w/1000/i/b1f8cedac2fdcebd7f3dafcf9335f408efc07f82603ee3abf51eda11d09e677f/Umbral-still-web_5.jpeg" /&#62;
&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/502d0944580570ff371e0875f0b275ae83d7350f615c352e4434e21b8a2ea92e/Umbral-still-web_3.jpeg" data-mid="202530623" border="0"  src="https://freight.cargo.site/w/1000/i/502d0944580570ff371e0875f0b275ae83d7350f615c352e4434e21b8a2ea92e/Umbral-still-web_3.jpeg" /&#62;
&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/a40fd2565b13677e732601697ca4804b35e0a8aa2bb305bad68f49f8d72f1193/Umbral-still-web_1.jpeg" data-mid="202530621" border="0"  src="https://freight.cargo.site/w/1000/i/a40fd2565b13677e732601697ca4804b35e0a8aa2bb305bad68f49f8d72f1193/Umbral-still-web_1.jpeg" /&#62;


Lo que parece ser un monólogo interno que analiza el estado de ensueño se convierte lentamente en el sueño mismo. La realidad aparente de la película se ve irrumpida por el delirio nocturno llevando al soñante a un sueño lúcido luminoso.


 
&#60;img width="4167" height="5892" width_o="4167" height_o="5892" data-src="https://freight.cargo.site/t/original/i/c68a6624da6cc44ba58372dc5abcbf864066b4023ed1e6d179c6c71d323e2530/UMBRAL-AFICHE_Festivales-min.jpg" data-mid="202547771" border="0"  src="https://freight.cargo.site/w/1000/i/c68a6624da6cc44ba58372dc5abcbf864066b4023ed1e6d179c6c71d323e2530/UMBRAL-AFICHE_Festivales-min.jpg" /&#62;

&#38;nbsp;Request preview link here
Voice: Lina Quintero, David Pirazan
Additional photography: Sol Matsuyama.
VFX: David Logreira.Advisor: Maria Pia Quiroga.
Production: Universidad Nacional de Colombia.&#38;nbsp;2019

Selections18 Bogoshorts- Bogotá Shortfilm Festival. Colombia 53 Festival du Nouveau Cinema de Montreal, Canada1 Festival de Cine Independiente Laberinto. Colombia21 Festival universitario de Cine y audiovisuales Equinoxio. Colombia




</description>
		
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		<title>Borde de Nieve</title>
				
		<link>https://juan-francisco-rodriguez.com/Borde-de-Nieve</link>

		<pubDate>Wed, 09 Aug 2023 08:35:20 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Borde-de-Nieve</guid>

		<description>
	
Borde de Nieve




15 mins &#124; 2021 &#124; Digital, Super 8mm to HD &#124; Stereo&#38;nbsp;Spanish &#124; English Subtitles.

Request preview link here

A new landscape emerges where the so-called perpetual snows disappear. The construction of the first artificial “super-paramo”, a high mountain tropical ecosystem, becomes a portal to that ancient time of ice. Different audiovisual materials are brought together to build a heterogeneous idea about the thaw and possible origin of the paramo ecosystem.





&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/cd3c6bdbad73813adcdd6fc98a6e9c154087c1a8cf1e78335a67a05686da9e4c/Borde-de-Nieve_Juan-F-Rodriguez_Still1.jpeg" data-mid="187467838" border="0"  src="https://freight.cargo.site/w/1000/i/cd3c6bdbad73813adcdd6fc98a6e9c154087c1a8cf1e78335a67a05686da9e4c/Borde-de-Nieve_Juan-F-Rodriguez_Still1.jpeg" /&#62;
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/1f6c25e0f9c69611453536def6aff541db3d94ae0f8fc9572b2f1d9365eb5357/Borde-de-Nieve_Juan-F-Rodriguez_Still2.jpeg" data-mid="187467839" border="0"  src="https://freight.cargo.site/w/1000/i/1f6c25e0f9c69611453536def6aff541db3d94ae0f8fc9572b2f1d9365eb5357/Borde-de-Nieve_Juan-F-Rodriguez_Still2.jpeg" /&#62;
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/67bc47c46766543b5d5af26de1fc97a94c2f5a265535f216be6289020efaeb7a/Borde-de-Nieve_Juan-F-Rodriguez_Still3.jpeg" data-mid="187467841" border="0"  src="https://freight.cargo.site/w/1000/i/67bc47c46766543b5d5af26de1fc97a94c2f5a265535f216be6289020efaeb7a/Borde-de-Nieve_Juan-F-Rodriguez_Still3.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d45208884f33cb4c80c47891293a933bd98fb568a847dd50e18c2902166f11a/Borde-de-nieve-still-2.jpeg" data-mid="187467837" border="0"  src="https://freight.cargo.site/w/1000/i/7d45208884f33cb4c80c47891293a933bd98fb568a847dd50e18c2902166f11a/Borde-de-nieve-still-2.jpeg" /&#62;
Original Concept&#38;nbsp;
Jazmin Rojas Forero, Juan Francisco Rodriguez.Producers:
Jazmin Rojas Forero, Sebastian Jaimes

Image, Sound Edit
Juan Francisco Rodriguez.

Direct Sound
Jazmín Rojas Forero.
Sound Design
 Santiago Forero-Alarcón, Juan Francisco Rodríguez

Sound Mix
 Carlos David Velandia, Santiago Forero-Alarcón.

Color Grading
Andres Felipe Castilla

Super8 Hand Development
 Juan Francisco Rodriguez, Jazmín Rojas Forero

Scan 
Octavio Villa.

Graphic Design
 Camilo García A.

Mentor
 Francisco Montaña.
Selections46 National Artists Salon. “Caudal Adentro”. Neiva, Colombia. 20228 Dobra International Experimental Film Festival. Brazil. 202215 Cinetoro Experimental Film Festival. Colombia. 202221 International Image Festival. Colombia. 20229 Corriente Encuentro Latinoamericano de Cine de No Ficción. Perú. 202220 Bogoshorts – Bogotá Shortfilm Festival. Colombia. 202223 Equinoxio Film and Audiovisual Festival. Colombia. 2021
23 MIDBO Bogota International Documentary Film Festival. Colombia 2021
Text by Valentina Giraldo
 available in&#38;nbsp;︎︎︎Kortfilm.be 


Celluloid film is similar to plants but also to lagoons. The process of printing an image on light-sensitive material is reminiscent of the photosynthesis process that plants undergo when they capture sunlight. In turn, the surface of a lagoon acts as a mirror, reflecting or ‘projecting’ images.

There is another remarkable link between cinema and nature, specifically with water. A film like Borde de nieve, which uses both analogue film and digital images, is made possible by a generous stream of consciousness, like a rippling river of ideas. Through disjointed fragments, the film moves us through landscapes and generates a pilgrimage experience.

The melting mountain peaks serve as a metaphor; the vanishing ice releases new manifestations of the landscape. The ecosystem underwent various forms of violence; layer after layer of melting exposes human passage and destruction. Social crises thus become visible in the biosphere: rivers and mountains as witnesses of a struggle. The mountain ranges lead us to the past or the future, both as access or escape routes. The film’s central mountain thus provides a geological, spatial, temporal, and symbiotic encounter. Meanwhile, I walk on.



&#60;img width="3968" height="5669" width_o="3968" height_o="5669" data-src="https://freight.cargo.site/t/original/i/cf3e2b262d97320777e633b3522152651e563cb1b4e78bfafb693391f618f974/Poster-Borde-de-Nieve_Logos_WEB.jpg" data-mid="187475534" border="0"  src="https://freight.cargo.site/w/1000/i/cf3e2b262d97320777e633b3522152651e563cb1b4e78bfafb693391f618f974/Poster-Borde-de-Nieve_Logos_WEB.jpg" /&#62;

Poster design:&#38;nbsp;Camilo García A.&#38;nbsp;

















&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/1c0764ce6d20d8864069ede08fadbe07bc985088abfbdad6b199ddae54d36f35/Borde-de-Nieve_Juan-F-Rodriguez_Still5.jpeg" data-mid="187467843" border="0"  src="https://freight.cargo.site/w/1000/i/1c0764ce6d20d8864069ede08fadbe07bc985088abfbdad6b199ddae54d36f35/Borde-de-Nieve_Juan-F-Rodriguez_Still5.jpeg" /&#62;


Texto de Alan Dao Soria López
 leer completo en&#38;nbsp;︎︎︎correspondenciascine.com


Heterónimo 1: Cimas descubiertas

A través de ligeros recorridos por las alturas, arriba de las nubes, nos encontramos con paisajes atrapados en la nieve. Avanzan los primeros minutos del cortometraje Borde de nieve (2020) de Juan Francisco Rodríguez y se van revelando cada vez más manchones en el paisaje, como archipiélagos en un blanco mar. Notamos cómo el paisaje se transforma, los detalles de la montaña comienzan a revelarse como entornos conocidos: parece que la nieve —mejor dicho, su ausencia— dibuja calles; parece que la nieve —ahora protagonista— se convierte en ríos que desembocan en el helado mar.

Detrás de las nubes se levantan las montañas cada vez más negras, sin nieve. Un mar negro con mucho polvo blanco.

Sobre un fondo negro, las letras blancas nos informan de la muerte del último glaciar en Colombia, revelando paisajes que se había guardado para sí mismo durante cuarenta mil años. Una cámara fija nos traslada al interior de una oscura construcción deteriorada donde la tenue luz solar que deja pasar el ausente techo dirige nuestra mirada hacia lo que parece ser un hoyo con diminutas plantas creciendo al borde.

Con la misma rigidez del plano anterior, se nos muestra una habitación donde podemos observar un tragaluz y no solo la luz que lo traspasa para alimentar a las plantas que son más vigorosas, abundantes y diversas que antes. Momentos antes de verlo, se escuchan las pisadas de un hombre que se dirige a contemplar la luz que cae del techo. Las imágenes subsiguientes nos hacen saber que estamos en una labor pesada: señalamientos de no pasar, botas que entierran la pala en la negra tierra, picos que aflojan el sustrato que guarda minerales preciosos.

El casi imperceptible movimiento de la tierra deslavada y los sonidos industriales nos introducen al mundo de las máquinas encargadas de transformar lo que se les pone enfrente: una aplanadora pasa encima de las irregularidades que forman el suelo para que unos pies caminen sin problema. Lo que parece un sonido de alerta se mezcla con el chillido de las máquinas mientras observamos la tierra en su estado más vulgar y opaco.

En contraste con la severidad de los planos pasados, con el sonido de la tierra corriendo que se termina por integrar al de las percusiones, entramos a un mundo antiguo que solo existe en los archivos. Las imágenes en blanco y negro nos revelan la tierra en sus parajes más íntimos y vírgenes: vemos esas estrías que ha acumulado a lo largo de millones de años, a las que los geólogos llamaron estratos. Se nos muestra suave y blanda, pero también filosa y monumental, resguardando entre sus peñascos la vida que crece en ella, los ríos que fluyen sin parar a lo largo y ancho de su cuerpo, el agua atrapada en quietas lagunas esperando a crecer o transformarse.

Mientras más vemos de ella, más se revela hostil: arriba de las nubes, las piedras son más grandes y sólidas, la nieve cubre los secretos de las altas montañas dejando solo pequeños fragmentos descubiertos. La última imagen que vemos de este mundo antiguo es la de unos hombres caminando por estos recovecos de la Tierra. ¿Qué quieren descubrir si la nieve ya está descubriendo todo?

Regresamos al sórdido mundo transformado que hemos construido para encontrarnos con una revolvedora de cemento que trabaja la tierra para convertirla en agua. La tierra gira, cae, se mezcla mientras la escuchamos rebotar en el metal de la máquina; una cortina de polvo cae frente a nosotros con un ruido que recuerda al movimiento tectónico de la Tierra, imperceptible para los oídos humanos, pero capturado por las máquinas que ingeniamos. Juan Francisco Rodríguez logra transfigurar esas mismas imágenes y sonidos en el tranquilo susurro del agua y el ostentoso caer de una cascada.

Finalmente el agua se mueve y choca con pedazos de glaciar, que parece puro al principio, pero, entre más lo exploramos, se va ensuciando. Sin embargo, sigue guardándose lugares a los cuales no habremos de llegar.




&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/019df3dae7b69991c68b88b512e1656bd259cffb301c3875248c385867c0a9c8/Borde-de-Nieve_Juan-F-Rodriguez_Still6_2.jpeg" data-mid="187467845" border="0"  src="https://freight.cargo.site/w/1000/i/019df3dae7b69991c68b88b512e1656bd259cffb301c3875248c385867c0a9c8/Borde-de-Nieve_Juan-F-Rodriguez_Still6_2.jpeg" /&#62;

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		<title>Medium Voice Resonance</title>
				
		<link>https://juan-francisco-rodriguez.com/Medium-Voice-Resonance</link>

		<pubDate>Fri, 13 Feb 2026 17:47:08 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Medium-Voice-Resonance</guid>

		<description>
	
Medium Voice Resonance




	
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/274007fa27685e38a967889fb2ce6c09af14ca02f881e96da4e8ec71b6ca6187/Medium-Voice-Resonance_Documentation_1.jpeg" data-mid="244800362" border="0"  src="https://freight.cargo.site/w/1000/i/274007fa27685e38a967889fb2ce6c09af14ca02f881e96da4e8ec71b6ca6187/Medium-Voice-Resonance_Documentation_1.jpeg" /&#62;
Projection on reflective screen, UV light, bone conducting transducers, wooden structure, 2023.
According to many spiritual traditions, the soul’s journey is often imagined as a form of navigation. In the jargon of mediums in Colombia, barqueros (boatmen) are those who guide disembodied souls as they continue their passage into the afterlife.
A melody and the oral account of a barquera (boatwoman) in Colombia are translated into a cinematic installation that invites visitors to activate another mode of perception, extending listening through their own bones.
ExhibitionsWeltkunstzimmer: “Ghosts at the Feast”. Düsseldorf, Germany. 2024


&#60;img width="5325" height="3555" width_o="5325" height_o="3555" data-src="https://freight.cargo.site/t/original/i/499cbe50c01e1e0525c154154af33dce8eaca60220075defe36e91af0294dfdc/Medium-Voice-Resonance_Documentation_5.jpeg" data-mid="244800361" border="0"  src="https://freight.cargo.site/w/1000/i/499cbe50c01e1e0525c154154af33dce8eaca60220075defe36e91af0294dfdc/Medium-Voice-Resonance_Documentation_5.jpeg" /&#62;&#60;img width="5513" height="3680" width_o="5513" height_o="3680" data-src="https://freight.cargo.site/t/original/i/95ab5ac251be2e003228b110ed8caa1c54bdf52aa850f46c0faccb88d977136c/Medium-Voice-Resonance_Documentation_3.jpeg" data-mid="244800363" border="0"  src="https://freight.cargo.site/w/1000/i/95ab5ac251be2e003228b110ed8caa1c54bdf52aa850f46c0faccb88d977136c/Medium-Voice-Resonance_Documentation_3.jpeg" /&#62;
&#60;img width="5321" height="3552" width_o="5321" height_o="3552" data-src="https://freight.cargo.site/t/original/i/21f773916621fcba39d746f816c5f81f8b676a19b053207d932d93a337a9c937/Medium-Voice-Resonance_Documentation_7.jpeg" data-mid="244800474" border="0"  src="https://freight.cargo.site/w/1000/i/21f773916621fcba39d746f816c5f81f8b676a19b053207d932d93a337a9c937/Medium-Voice-Resonance_Documentation_7.jpeg" /&#62;




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	</item>
		
		
	<item>
		<title>Earth Beamer II</title>
				
		<link>https://juan-francisco-rodriguez.com/Earth-Beamer-II</link>

		<pubDate>Fri, 28 Jul 2023 18:35:20 +0000</pubDate>

		<dc:creator>Juan Francisco Rodriguez</dc:creator>

		<guid isPermaLink="true">https://juan-francisco-rodriguez.com/Earth-Beamer-II</guid>

		<description>
	

Earth Beamer II


&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/edafe7c079999519434295b4557b319b4ba46673bb3bf9126fe97ee91a110dae/1_Swamp-Optical-Trance_Exhibition-View-min.jpg" data-mid="186367995" border="0"  src="https://freight.cargo.site/w/1000/i/edafe7c079999519434295b4557b319b4ba46673bb3bf9126fe97ee91a110dae/1_Swamp-Optical-Trance_Exhibition-View-min.jpg" /&#62;



 Installation. Moss, water, slide projectors, arduino. 2022

	
The project “Earth Beamer” stems from investigating the potential emergence of more-than-human cinema. Two slide projectors become microscopes that magnify and project a series of 24 seemingly still images. Instead of film, each slide frame contains a moss herbarium: a living, moist and changing micro-ecosystem. The superimposition of images constantly creates new plant motifs. This "live projection" is looped at 24 seconds per image, in contrast to the standard 24 frames per second of motion pictures.



&#60;img width="4736" height="3137" width_o="4736" height_o="3137" data-src="https://freight.cargo.site/t/original/i/f9f0dd616efc070ab1149105e3999217083b78e92f5809d699a7246663296846/3-Swamp-Optical-trance_Earth-Beamer-II_LQ.jpg" data-mid="186367997" border="0"  src="https://freight.cargo.site/w/1000/i/f9f0dd616efc070ab1149105e3999217083b78e92f5809d699a7246663296846/3-Swamp-Optical-trance_Earth-Beamer-II_LQ.jpg" /&#62;
&#60;img width="5934" height="3956" width_o="5934" height_o="3956" data-src="https://freight.cargo.site/t/original/i/9a0931e2a83c42668d959b024ef04c065fb22a2e59309bf85a733bb3b0ba0786/SOT_WEB-3_2.jpg" data-mid="187051046" border="0"  src="https://freight.cargo.site/w/1000/i/9a0931e2a83c42668d959b024ef04c065fb22a2e59309bf85a733bb3b0ba0786/SOT_WEB-3_2.jpg" /&#62;
&#60;img width="5934" height="3956" width_o="5934" height_o="3956" data-src="https://freight.cargo.site/t/original/i/5c684d3941f14eca989f307a1e3eba057bd501264b6693cb5dbf4f2312ed221d/SOT_WEB-4_1.2.1_2.jpg" data-mid="187051235" border="0"  src="https://freight.cargo.site/w/1000/i/5c684d3941f14eca989f307a1e3eba057bd501264b6693cb5dbf4f2312ed221d/SOT_WEB-4_1.2.1_2.jpg" /&#62;
&#60;img width="5934" height="3956" width_o="5934" height_o="3956" data-src="https://freight.cargo.site/t/original/i/26a531bb790ba805fdaa48e267ddc1fe4c1b202b19b425f515ff8e8c8777102f/SOT_WEB-2-1-2.jpg" data-mid="187049370" border="0"  src="https://freight.cargo.site/w/1000/i/26a531bb790ba805fdaa48e267ddc1fe4c1b202b19b425f515ff8e8c8777102f/SOT_WEB-2-1-2.jpg" /&#62;


On show during “Swamp Optical Trance”, solo exhibition at Case Projektraum der Fotografie , Cologne, 2022&#38;nbsp;


ExhibitionsCase Projektraum der Fotografie: “Swamp Optical Trance” (Solo show). Cologne, Germany. 2022&#38;nbsp;International Photoszene Cologne, Germany. 2023Interference Light Art Project: “Water Matters” Tunis, Tunisia. 2023
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